artspace issue:
Artspace has a spyphone...
by David LaRiviere
Screening calls is a lot like surfing the web or slugging
back a delicious bubble tea in downtown Toronto: a relatively
recent development. Unlike bubble tea (at least, to the best
of my knowledge) screening telephone calls can pose certain
moral/ethical problems. Recently I succumbed to an unthinking
moment and quickly asked my co-worker Sekoiaa to tell
a caller that I was not in Artspace. Immediately I felt like
an idiot as I watched a person with an admirable degree of
integrity squirm through a lie not of her own choosing. I
apologized and promised never to do it again.
However, at times a spy phone can come in mighty handy. Earlier
today I received a phone call from the Canadian Police
Association, an unsolicited call that must be going out
to hundreds if not thousands of businesses. The fellow on
the other end asked to speak to Peg Towne or Andrea
Fatona. After updating their database from 1998, the gentleman
in question quickly introduced himself and moved onto the
subject at hand. There was a tone of righteousness in his
assumption that I am, of course, a concerned citizen who does
not want to see harm come to the children of our community.
In short, the call was a broad-based form of solicitation
designed to gain support for the CPA's initiative to "stiffen
child porn laws" and institute firmer sentences. His
proposal was simple, you either side with those who would
address the problem in unnamed punitive terms or you are complicit
to operations that would see harm brought to children. I respectively
inquired about details regarding what the CPA is proposing
in terms of definitions around such hot topics as child porn,
pornography in general, and the abuse of human rights. The
caller then shifted tone to an even more aggressive tenor
and asked me why I would even need or wish to know such background
information. Of course, he is safe in his assumption that
I oppose the infringement of human rights, however, as I explained,
as an advocate for artist rights I am also concerned with
how vague legal definitions can lead to a baffling of the
very issues that his call is trying to address. I asked him
if he was familiar with the case of Eli Langer, a Toronto-based
artist whose oil on canvas paintings were seized from an exhibition
at Mercer Union by the Toronto police department's "morality
squad" on December 16, 1993. http://collections.ic.gc.ca/mercer/348.html
In this instance a series of oil on canvas paintings, that
is pigment suspended in a vehicle (usually linseed oil) spread
across a cotton material and drawn from the artist's imagination,
were somehow deemed to infringe on human rights. How can that
be?
He hung up. However, artspace has a spy phone so I called
him back.
To be continued
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