may 2003

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Contents

Jack Flash!
Bold new hire at the Examiner

Outside Looking In:
Two views from people who don’t live here

Fashion File:
What summer clothing do you want to wear?
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Jackdaws Presents:
grants, blessings, and worth at a Calgary pub

Cartoon:
WAR by Isabelle Bleu
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Peace Tapestry:
vigor, no rigor

3...2...1 Act Plays:
words overheard after
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jack in the pulpit:
FISH: the forgotten vegetable

Trent Radio:
Summer Radio Camp
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Public Energy Presents:
The Cure for Sexual Jealousy
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Sunday Night Live:
at Hot Belly Mamas
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Artspace:
upcoming exhibitions

Listings & one eyed jack
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Cover Art:
by Laurel Paluck
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this page was last updated July 9, 2003

Peace
Tapestry:

vigor, no rigor

by Miriam Stucky

AFTER TAKING IN the artistic offerings of last week’s Peace Tapestry, I’m dis-inclined to ever again give peace a chance.

The performances showed heart, but not much more. Why do people think that performers, often with little experience, too much room and too little direction might come up with worthwhile art? Making watchable, thought-provoking, mature, crafted, attention-keeping art is obviously not easy.

The Peace Tapestry isn’t the first effort to suffer from this malaise. I’ve had similar issues with some of Peterborough New Dance’s Emergency series, and the occasional 24hour theatre project.
Sure, daring is to be commended, but so is humility.

If the focus of an action/event like the Peace Tapestry is process, that’s fine, but please keep it to yourselves until it’s ready to air.

What’s to like about 15 minutes of non-sencical ranting, rumbling, screechy monologue? What makes performers with negligible experience and apparently little rehearsal think an audience is keen for a 20 minute presentation? Why sing four songs that sound the same?

Good will is no substitute for structure, process, critique and re-working. I live for being impressed or moved by this kind of stuff, and I’ve seen enough amazing shows* here that I’m not interested in pandering to the take-all-comers, fourth grade pageant "isn’t it nice what local people come up with" standard any longer.

Organizing shit like this is a huge job, and includes not only coming up with a good idea, setting a date, and drawing people in, but making sure there are parameters, support and something of a focus so that people can create substantial, watchable work.

Thanks to Shelagh Young for the title.

*A few five star works that come to mind include Kate Story & Ryan Kerr’s recent Emergency piece Snow Day, Leigh MacDonald & Kim Allen’s offering in last summer’s Alley Waltz. And the opening slides of the Peace Tapestry orchestrated by Danielle Raymond showed real merit and care.